Friday, June 4, 2010

Beannacht ("Blessing")


.
.
On the day when
the weight deadens
on your shoulders
and you stumble,
may the clay dance
to balance you.
.
And when your eyes
freeze behind
the grey window
and the ghost of loss
gets in to you,
may a flock of colours,
indigo, red, green,
and azure blue
come to awaken in you
a meadow of delight.
.
When the canvas frays
in the currach of thought
and a stain of ocean
blackens beneath you,
may there come across the waters
a path of yellow moonlight
to bring you safely home.
.
May the nourishment of the earth be yours,
may the clarity of light be yours,
may the fluency of the ocean be yours,
may the protection of the ancestors be yours.
And so may a slow
wind work these words
of love around you,
an invisible cloak
to mind your life.
.
~  John O'Donohue
(Echoes of Memory)

Wednesday, June 2, 2010

Awareness is your refuge






Awareness is your refuge:
Awareness of the changingness of feelings,
of attitudes, of moods, of material change
and emotional change:
Stay with that, because it’s a refuge that is 
indestructible.
It’s not something that changes.
It’s a refuge you can trust in.
This refuge is not something that you create.
It’s not a creation. It’s not an ideal.
It’s very practical and very simple, but
easily overlooked or not noticed.
When you’re mindful,
you’re beginning to notice,
it’s like this.



~  Ajahn Sumedho




Form is ecstatic


.
.
There is a shimmering excitement in
being sentient and shaped.  The
.
caravan master sees his camels lost
in it, nose to tail, as he himself is,
.
his friend, and the stranger coming
toward them.  A gardener watches the
.
sky break into song, cloud wobbly with
what it is.  Bud, thorn, the same.
.
Wind, water, wandering this essential 
state.  Fire, ground, gone.  That's
.
how it is with the outside.  Form
is ecstatic...
.
~ Rumi
from:  The Soul of Rumi, translation by Coleman Barks
.

Tuesday, June 1, 2010

A path is only a path







You must always keep in mind that a path is only a path.
Each path is only one of a million paths. 
If you feel that you must now follow it, 
you need not stay with it under any circumstances. 
Any path is only a path. 

There is no affront to yourself or others in dropping a path 
if that is what your heart tells you to do. 
But your decision to keep on a path or to leave it 
must be free of fear and ambition. 

I caution you: look at every path closely and deliberately. 
Try it as many times as you think necessary. 
Then ask yourself and yourself alone this one question. 
Does this path have a heart? 

A path is only a path,
 and there is no affront, to oneself or to others, in dropping it 
if that is what your heart tells you. 
Look at every path closely and deliberately. 
Try it as many times as you think necessary.
 Then ask yourself alone, one question. 
Does this path have a heart? 

If it does, the path is good;
 if it doesn’t it is of no use.”



~ Carlos Castaneda

Saturday, May 29, 2010

the whole of life





.
You must understand the whole of life, not just one little part of it. 
That is why you must read, that is why you must look at the skies, 
that is why you must sing, and dance, and write poems, and suffer, 
and understand, for all that is life.
.
- Jiddu Krishnamurti
.

Friday, May 28, 2010

Standing Deer




As the house of a person
in age sometimes grows cluttered
with what is
too loved or too heavy to part with,
the heart may grow cluttered.
And still the house will be emptied,
and still the heart.

As the thoughts of a person
in age sometimes grow sparer,
like a great cleanness come into a room,
the soul may grow sparer;
one sparrow song carves it completely.
And still the room is full,
and still the heart.

Empty and filled,
like the curling half-light of morning,
in which everything is still possible and so why not.

Filled and empty,
like the curling half-light of evening,
in which everything now is finished and so why not.

Beloved, what can be, what was,
will be taken from us.
I have disappointed.
I am sorry. I knew no better.

A root seeks water.
Tenderness only breaks open the earth.
This morning, out the window,
the deer stood like a blessing, then vanished.




~ Jane Hirschfield
(The Lives of the Heart)

Lute Music


.

The Earth will be going on a long time
Before it finally freezes;
Men will be on it; they will take names,
Give their deeds reasons.
We will be here only
As chemical constituents—
A small franchise indeed.
Right now we have lives,
Corpuscles, Ambitions, Caresses,
Like everybody had once—

Here at the year's end, at the feast
Of birth, let us bring to each other
The gifts brought once west through deserts—
The precious metal of our mingled hair,
The frankincense of enraptured arms and legs,
The myrrh of desperate, invincible kisses—
Let us celebrate the daily
Recurrent nativity of love,
The endless epiphany of our fluent selves,
While the earth rolls away under us
Into unknown snows and summers,
Into untraveled spaces of the stars.



~ Kenneth Rexroth
(Sacramental Acts)

Thursday, May 27, 2010

Jacob's Dream




(After the painting Jacob's Dream by William Blake and Genesis 28: 11-17)

A young man leaving home 
For long years to be gone
Might fall asleep and dream,
His head upon a stone.

A stair appears that bends
In spiral toward the light,
The bright Orb where it ends,
Though he sleeps through the night,

Darkened, below the stars.
Angel in constant motion 
Walk up and down the stairs.
Delight and clear devotion

Make graceful all they do.
The light and dark are bound,
Heaven to all below,
Bright stair and stony ground

In on light joined. In sleep
The dreamer wakes. He sees 
Above the stars the deep
Of Heaven opened. Is

He living, then, his part
Of Heaven's earthly life?
And what shall be the art
By which this sight can live?

Darkened upon the earth, 
He fills with light, is made
A witness to high Truth
And so a man afraid.

His land - this meager sod,
These stones, this low estate -
Is the household of God.
And it is Heaven's gate.



~ Wendell Berry
Sabbaths 2004, I



They come singly


.
.
They come singly, the little streams,
Out of their solitude. They bear
In their rough fall a spate of gleams
That glance and dance in the morning air.
.
They come singly, and coming go
Ever downward toward the river
Into whose dark abiding flow
They come, now quieted, together.
.
In dark they mingle and are made
At one with light in highest flood
Embodied and inhabited,
The budded branch as red as blood.
.
~ Wendell Berry
Sabbaths 2004, II
.

Encounter


.







We were riding through frozen fields in a wagon at dawn. 
A red wing rose in the darkness.

And suddenly a hare ran across the road. 
One of us pointed to it with his hand.

That was long ago. Today neither of them is alive, 
Not the hare, nor the man who made the gesture.

O my love, where are they, where are they going? 
The flash of a hand, streak of movement, rustle of pebbles. 
I ask not out of sorrow, but in wonder.







~ Czeslaw Milosz

Wednesday, May 26, 2010

poetry reading


.



I'm curled into a ball
like a dog
that is cold.

Who will tell me 
why I was born,
why this monstrosity
called life.

The telephone rings.  I have to give
a poetry reading.

I enter.
A hundred people, a hundred pairs of eyes.
They look, they wait.

I am supposed to tell them
why they were born,
why there is 
this monstrosity called life.




~  Anna Swirszczynska
translated by Czeslaw Milosz and Leonard Nathan




never surrender a good question


.
.
A man tortured by doubt travels a great distance 
hoping to ask a famous teacher his question. 
 
 At first, the teacher's disciples will not allow the stranger into the study house, 
but one day he finds a way to slip in, approaches the Rebbe, and speaks:
 
 'Venerable Rebbe, forgive me for disturbing you,
 but I have traveled many weeks and waited many days
 for the chance to ask you a question 
that has troubled me all my adult life.' 
 
 'What is your question?', the teacher responds.  
 
The man asks, 'What is the essence of truth?'  
 
The Rebbe looks at his visitor for a moment, 
rises from his chair, approaches, and slaps him hard.
  Then he withdraws again to his books.
  
Shocked, the questioner retreats to a tavern across the way,
 bitterly and loudly complaining of his mistreatment.  
 
On of the teacher's disciples, overhearing, takes pity and explains:
 'The Rebbe's slap was given you in great kindness,
 to teach you this:
 
 never surrender a good question for a mere answer.'
 
 
 
 
~ Traditional Hasidic story
 
 
 

Izumi Shikibu


.
.
Watching the moon 
at midnight,
solitary, mid-sky,
I knew myself completely,
no part left out.
.
.
.
I cannot say 
which is which:
the glowing 
plum blossom is
the spring night’s moon.
.
.
.
.
It is true,
the wind blows terribly here -
but moonlight
also leaks between the roof planks
of this ruined house.
.
~ Izumi Shikibu, (974-1034)
.
She is considered by some to be the greatest woman poet of Japanese literature.
from:  Women in Praise of the Sacred, edited by Jane Hirshfield
.

until everything is continuous and whole again


.
.
First, forget what time it is for an hour.
Do it regularly every day.
Then forget what day of the week it is,
and do this regularly in company for a week.
Then forget what country you are in,
and practice doing it in company for a week,
and then do them together for a week
with as few breaks as possible.
Follow these by forgetting how to add
or to subtract.
It makes no difference.
You can change them around after a week.
Both will later help you to forget how to count.
.
Forget how to count,
starting with your own age,
starting with how to count backwards,
starting with even numbers,
with roman numerals,
starting with fractions,
with the old calendar,
going on to the alphabet,
forgetting it all until everything
is continuous and whole again.
.
~  W. S. Merwin
.

Tuesday, May 25, 2010

Can You Imagine


.
.
For example, what the trees do
not only in lightening storms
or the watery dark of a summer's night
or under the white nets of winter
but now, and now, and now - whenever
we're not looking. Surely you can't imagine
they don't dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade - surely you can't imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in its own mood, comes
to visit, surely you can't imagine
patience, and happiness, like that.
.
~ Mary Oliver 
.
.