Showing posts with label Denise Levertov. Show all posts
Showing posts with label Denise Levertov. Show all posts

Monday, September 14, 2020

immersion







There is anger abroad in the world, a numb thunder,
because of God's silence. But how naive,
to keep wanting words we could speak ourselves,
English, Urdu, Tagalog, the French of Tours,
the French of Haiti...

Yes, that was one way omnipotence chose
to address us - Hebrew, Aramaic, or whatever the patriarchs
chose in their turn to call what they heard. Moses
demanded the word, spoken and written. But perfect freedom
assured other ways of speech. God is surely
patiently trying to immerse us in a different language,
events of grace, horrifying scrolls of history
and the unearned retrieval of blessings lost for ever,
the poor grass returning after drought, timid, persistent.
God's abstention is only from human dialects. The holy voice
utters its woe and glory in myriad musics, in signs and portents.
Our own words are for us to speak, a way to ask and to answer.




~ Denise Levertov
from for lovers of god everywhere
Poems of the Christian Mystics
art by Hillal Hussain
 
 

 

Monday, May 11, 2020

sojourns in the parallel world







We live our lives of human passions,
cruelties, dreams, concepts,
crimes and the exercise of virtue
in and beside a world devoid
of our preoccupations, free
from apprehension--though affected,
certainly, by our actions. A world
parallel to our own though overlapping.
We call it "Nature"; only reluctantly
admitting ourselves to be "Nature" too.
Whenever we lose track of our own obsessions,
our self-concerns, because we drift for a minute,
an hour even, of pure (almost pure)
response to that insouciant life:
cloud, bird, fox, the flow of light, the dancing
pilgrimage of water, vast stillness
of spellbound ephemerae on a lit windowpane,
animal voices, mineral hum, wind
conversing with rain, ocean with rock, stuttering
of fire to coal--then something tethered
in us, hobbled like a donkey on its patch
of gnawed grass and thistles, breaks free.
No one discovers
just where we've been, when we're caught up again
into our own sphere (where we must
return, indeed, to evolve our destinies)
–but we have changed, a little.







~ Denise Levertov
from Sands of the Well








Thursday, May 16, 2019

for the asking






Augustine said his soul
was a house so cramped
God could barely squeeze in.
Knock down the mean partitions,
he prayed, so You may enter!
Raise the oppressive ceilings!

Augustine's soul 
 didn't become a mansion large enough
to welcome, along with God, the woman he'd loved,
except for his mother (though one, perhaps,
his son's mother, did remain to inhabit
a small dark room).  God, therefore,
would never have felt
fully at home as his guest.

Nevertheless,
it's clear desire
fulfilled itself in the asking, revealing prayer's
dynamic action, that scoops out channels
like water on stone, or builds like layers
of grainy sediment steadily
forming sandstone. The walls, with each thought,
each feeling, each word he set down,
expanded, unnoticed; the roof
rose, and a skylight opened.




~ Denise Levertov
from for lovers of god everywhere
by roger housden
 art by Yayoi Kusama


 

Thursday, May 2, 2019

old joy






Come into animal presence
No man is so guileless as
the serpent. The lonely white
rabbit on the roof is a star
twitching its ears at the rain.
The llama intricately
folding its hind legs to be seated
not disdains but mildly
disregards human approval.
What joy when the insouciant
armadillo glances at us and doesn't
quicken his trotting
across the track and into the palm brush.
What is this joy? That no animal
falters, but knows what it must do?
That the snake has no blemish,
that the rabbit inspects his strange surroundings
in white star-silence? The llama
rests in dignity, the armadillo
has some intention to pursue in the palm-forest.
Those who were sacred have remained so,
holiness does not dissolve, it is a presence
of bronze, only the sight that saw it
faltered and turned from it.
An old joy returns in holy presence.




~ Denise Levertov
 from Poems: 1960-1967


She wrote: "I'm not very good at praying, but what I experience when I'm writing a poem is close to prayer. I feel it in different degrees and not with every poem. But in certain ways writing is a form of prayer."


Saturday, January 4, 2014

sojourns in the parallel world






We live our lives of human passions,
cruelties, dreams, concepts,
crimes and the exercise of virtue
in and beside a world devoid
of our preoccupations, free
from apprehension--though affected,
certainly, by our actions. A world
parallel to our own though overlapping.
We call it "Nature"; only reluctantly
admitting ourselves to be "Nature" too.
Whenever we lose track of our own obsessions,
our self-concerns, because we drift for a minute,
an hour even, of pure (almost pure)
response to that insouciant life:
cloud, bird, fox, the flow of light, the dancing
pilgrimage of water, vast stillness
of spellbound ephemerae on a lit windowpane,
animal voices, mineral hum, wind
conversing with rain, ocean with rock, stuttering
of fire to coal--then something tethered
in us, hobbled like a donkey on its patch
of gnawed grass and thistles, breaks free.
No one discovers
just where we've been, when we're caught up again
into our own sphere (where we must
return, indeed, to evolve our destinies)
–but we have changed, a little.




~ Denise Levertov
from Sands of the Well
with thanks to Lisa at the mark on the wall


Sunday, February 28, 2010

returning







You can live for years next door

to a big pine tree, honored to have
so venerable a neighbor, even
when it sheds needles all over your flowers
or wakes you, dropping big cones
onto your deck at still of night.
Only when, before dawn one year
at the vernal equinox, the wind
rises and rises, raising images
of cockleshell boats tossed among huge
advancing walls of waves,
do you become aware that always,
under respect, under your faith
in the pine tree’s beauty, there lies
the fear it will crash someday
down on your house, on you in your bed,
on the fragility of the safe
dailiness you have almost
grown used to.

Denise Levertov


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