to a child dancing in the wind

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Dance there upon the shore;

What need have you to care

For wind or water’s roar?

And tumble out your hair

That the salt drops have wet;

Being young you have not known

The fool’s triumph, nor yet

Love lost as soon as won,

Nor the best labourer dead

And all the sheaves to bind.

What need have you to dread

The monstrous crying of wind?

II

Has no one said those daring

Kind eyes should be more learn’d?

Or warned you how despairing

The moths are when they are burned,

I could have warned you, but you are young,

So we speak a different tongue.

O you will take whatever’s offered

And dream that all the world’s a friend,

Suffer as your mother suffered,

Be as broken in the end.

But I am old and you are young,

And I speak a barbarous tongue.

~ William Butler Yeats

(13 June 1865 – 28 January 1939)

from Responsibilities and Other Poems, 1916

thanks to woods lot

from "Among School Children"

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Labour is blossoming or dancing where

The body is not bruised to pleasure soul.

Nor beauty born out of its own despair,

Nor blear-eyed wisdom out of midnight oil.

O chestnut-tree, great-rooted blossomer,

Are you the leaf, the blossom or the bole?

O body swayed to music, O brightening glance,

How can we know the dancer from the dance?

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~ W. B. Yeats

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The Lake Isle Of Innisfree

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I will arise and go now, and go to Innisfree,

And a small cabin build there, of clay and wattles made:

Nine bean-rows will I have there, a hive for the honey-bee,

And live alone in the bee-loud glade.

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And I shall have some peace there, for peace comes dropping slow,

Dropping from the veils of the mourning to where the cricket sings;

There midnight's all a glimmer, and noon a purple glow,

And evening full of the linnet's wings.

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I will arise and go now, for always night and day

I hear lake water lapping with low sounds by the shore;

While I stand on the roadway, or on the pavements grey,

I hear it in the deep heart's core.

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~ William Butler Yeats

find more at: http://www.online-literature.com

yeats portrait by John Singer Sargent - 1908

This poem was one of the first poems by Yeats. It was written when the author was young, twenty-five years old, and he was living in London. The isle of the poem really exists, and is situated in Ireland, in Lough Gill. There were two main reasons why the poet wrote these verses: firstly, he was a young Irish person who was living in London, a big city which is not in his country. Ireland is a country whose economy was based on the agriculture, so Yeats wants to return to this type of life, the life of his childhood, secondly, at that moment, Yeats knew of and read Thoreau and wanted to emulate him.

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The Stolen Child

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Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we’ve hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Away with us he’s going,
The solemn-eyed:
He’ll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than he can understand.

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~ William Butler Yeats

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When you are old and grey

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When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
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How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
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And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
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~ William Butler Yeats

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from The Wind among the Reeds

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Had I the heavens' embroidered cloths,

Enwrought with golden and silver light,

The blue and the dim and the dark cloths

Of night and light and the half-light,

I would spread the cloths under your feet:

But I, being poor, have only my dreams;

I have spread my dreams under your feet;

Tread softly because you tread on my dreams.

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~ WB Yeats

inspired by Maud Gonne 

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