statue from Tamil Nadu, Chola Dynasty, India
As a symbol, Shiva Nataraja is a brilliant invention.
It combines in a single image Shiva's roles as creator, preserver, and destroyer
of the universe and conveys the Indian conception of the never-ending cycle of time.
Although it appeared in sculpture as early as the fifth century, its present,
world-famous form evolved under the rule of the Cholas.
Shiva's dance is set within a flaming halo.
The god holds in his upper right hand the damaru (hand drum that made the first sounds of creation).
His upper left hand holds agni (the fire that will destroy the universe).
With his lower right hand, he makes abhayamudra (the gesture that allays fear).
The dwarflike figure being trampled by his right foot represents
apasmara purusha (illusion, which leads mankind astray).
Shiva's front left hand, pointing to his raised left foot,
signifies refuge for the troubled soul.
The energy of his dance makes his hair fly to the sides.
~ description by the Metropolitan Museum of Art
Beneath its diversity and complexity, the underlying unity of Hinduism has correspondences with the inward dimension of the Christian faith.
~ Ursula King
2 comments:
I am so glad I've found your blog. So much of what you write resonates.
I don't even know if I would call myself a Christian anymore. But Jesus still compels me. Though I doubt he existed as we think he did. But he seems to be an archetype we need.
But Christianity doesn't make any sense to me apart from understanding it through the lens of Hinduism and Buddhism. What a trip :)
thanks for your insight here Sue.
yes, so many names and beliefs fill the landscape with claims of being truth, each one perhaps pointing to the beauty of a fragment, putting it on a pedestal, separating it. Glad you are keeping your heart open to see.
dean
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