Friday, September 14, 2018

listen






For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfill themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farm boy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.

A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.

A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.

When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.

A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one’s suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.

So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.





~ Hermann Hesse
from Trees, Reflections and Poems




consenting to be deceived





By closing the eyes and slumbering and consenting to be deceived
 by shows, men establish and confirm their daily life of routine 
and habit everywhere, which still is built on purely illusory foundations ...

I have read in a Hindu book, that "there was a king's son,
 who, being expelled in infancy from his native city,
 was brought up by a forester, and, growing to maturity in that state, 
imagined himself to belong to the barbarous race with which he lived. 
 One of his father's ministers having discovered him,
 revealed to him what he was, and the misconception of his character 
was removed, and he knew himself to be a prince.  So soul,
" continues the Hindu philosopher, "from the circumstances in which it is placed,
 mistakes its own character, until the truth is revealed to it
 by some holy teacher, and then it knows itself to be Brahma."

I perceive that we inhabitants of New England live this mean life 
that we do because our vision does not penetrate the surface of things.




~ Henry David Thoreau
from Walden, "Where I lived, and what I lived for," 1854



All my body calls







All my body calls
for something in this sleeping
earth
we call the spirit.

But how
from lifted arms
where stars run through fingers
and the night is like sand
do I breathe a fragrance of its wisdom
do I call its name
or listen to the drops
that trickle down to earth
and hear
life being given
not only through the moving hands of the forest
but through the hand that reaches in
the dark unmoving regions of the chest
and uncovers slowly
the enormous
indistinct
shape of the ocean.



~  David Whyte 

Saturday, September 8, 2018

a monk sips morning tea






A monk sips morning tea,
it's quiet,
the chrysanthemum's flowering.




~ Matsuo Basho
translated by Robert Hass 

Flowering Vetch





Each of the tragedies can be read
as the tale of a single ripening self,
every character part of one soul.
The comedies can be included in this as well.
Often the flaw is a flaw of self-knowledge;
sometimes greed.  For this reason
the comic glint of a school of herring leads to no plot line,
we cannot imagine a tragedy of donkeys or bees.
Before the ordinary realities, ordinary failures:
hunger, coldness, anger, longing, heat.
Yet one day, a thought as small as a vetch flower opens.
After, no longer minding the minor and almost wordless role,
playing the messenger given the letter
everyone knows will arrive too late or ruined by water.
To have stopped by the fig and eaten was not an error, then,
but the reason for going.



~  Jane Hirshfield
from After