I
I flinch from something that shuffles slantwise through sleet,
A fragment of what is to come.
A wall broken loose. Something without eyes. Hard.
A face of teeth!
A lone wall. Or is the house there
although I do not see it?
The Future: an army of empty houses
that grope their way ahead through sleet.
II
Two truths approach each other. One comes from within,
one comes from without--and where they meet you have the chance
to catch a look at yourself.
Noticing what is about to happen, you shout desperately: "Stop!
Anything, anything, as long as I don't have to know myself."
And there is a boat that wants to put in--tries to, right here--
it will try again thousands of times.
Out of the forest's dark comes a long boat hook
that's pushed through the open window
among the party guests who have danced themselves warm.
III
The apartment I've lived in most of my life is to be evacuated. It's already
emptied of everything. The anchor has let go--but despite the mournful
air it's still the lightest apartment in the city. Truth needs no furniture.
I've gone one round on life's circle and come back to the starting point: a
bare room. Scenes from my early life take shape on the walls like Egyptian
paintings inside a burial chamber. But they are fading. The light is too
strong. The windows have enlarged. The empty apartment is a big tele-
scope pointed at the sky. It's as quiet here as a Quaker meeting. Nothing
heard b ut the pigeons of the backyards, their cooings.
~ Tomas Transtromer
Preludes
art by Picasso