Feels self melt away

As air becomes the medium for light when the sun rises,

And as wax melts from the heat of fire,

So the soul drawn to that light is resplendent,

Feels self melt away,

Its will and actions no longer its own.

So clear is the imprint of God

That the soul, conquered, is conqueror;

Annihilated, it lives in triumph.

What happens to the drop of wine

That you pour into the sea?

Does it remain itself, unchanged?

It is as if it never existed.

So it is with the soul: Love drinks it in,

It is united with Truth,

Its old nature fades away,

It is no longer master of itself.

The soul wills and yet does not will:

Its will belongs to Another.

It has eyes only for this beauty;

It no longer seeks to possess, as was its wont -

It lacks the strength to possess such sweetness.

The base of this highest of peaks

Is founded on nichil,

Shaped into nothingness, made one with the Lord.

~ Jacopone da Todi

an excerpt from Let Annihilation and Charity Lead

Jacopone Benedetti, was born into a wealthy family in the central Italian town of Todi.  As a young man, he married and started a career as a notario, combining the skills of an accountant and a lawyer.  Legend has it that when a balcony collapsed at a wedding feast, killing his wife, he abandoned his career, gave away all his possessions, and become a wandering penitent.  He eventually joined the Franciscan Order, and discovered a gift for poetry.  He was imprisoned for five years for his opposition to the election of Pope Boniface VIII, and continued to write deeply personal and mystical poetry on prison.  He was released on the death of Boniface, and retired to a hermitage near Orvieto, where he died in 1306.

happy birthday Ella

the lost trapper

Each time the soprano and the tenor

Kneel and sing to each other,

Somewhere else on stage the baritone

Is about to die.

The Alaskan trapper finds

Blood on his arm, his radio

Dead, and new snow

Falling on the branches.

I don't know why the grasshopper

Doesn't try to wiggle

Out from the bird's claw,

But he doesn't move.

Just forget the idea that

Someone will come and save

You whenever cedars begin

Making that low sound.

~ Robert Bly 

from Talking into the Ear of a Donkey

I was sorry to hear, via David Sanders‘ “Poetry News” in Prairie Schooner that the poet has Alzheimer’s. His daughter, Mary Bly, told Minnesota Public Radio:

You know he’s very happy. So… not very happy but he’s happy. So I’m very grateful that he’s not experienced the personality changes that sometimes accompany that sort of loss. But it’s sad, it’s very very hard for someone whose life is made up of looking at a tree and turning it into a poem – so your whole life flows by you in words – to not be able to manipulate words is a terrible thing.

At Minnesota's "Poetry Out Loud" in 2009 (Photo: Creative Commons)

For a good part of my childhood my dad was working on short prose poetry. And he used to make us – the children had to do it along with him! Our dinners were often made up of impromptu poetry readings. So in a way this was my tribute year to him, too, because that’s the kind of writing he did when I was growing up. He worked very hard on very small sets of words.

…My stepmother was talking about watching a video of him – and he sparked with ideas all the time – and he hasn't lost his sense of humor so he said “I like that guy!” And then he said “I wish I knew him.” So it was very hard for my stepmother in that moment. But he’s both recognizing what’s happening – his sense of humor is not gone at all – and acknowledging that life has different phases.

I met up with Bly again decades later at Stanford in 2008, but by then I was different and older, and he seemed curiously (perhaps deceptively) the same, although his hair was pure silver, and he seemed more a grandfatherly figure to the students. He turned to the young poet wannabes and cackled conspiratorially, “You can’t tell this to your parents.” Of course, he was a parent by then, and so was I, so the comment seemed oddly nostalgic.

I spoke to him privately, during a break in the class, and told him of our meeting decades ago. For a moment our eyes met, and he seemed curiously vulnerable, aware of the mask he was wearing that had somehow grown to him, the name and fame he carried like a heavy backpack, and could no longer put down.

~ from book haven

the old man mad about drawing

hokusai - an animated sketchbook

~ tony white

with thanks to sharanam

the starfish

It is low tide. Fog. I have climbed down the cliffs

from Pierce Ranch to the tide pools. Now the ecstasy

of the low tide, kneeling down, alone. In six inches of

clear water I notice a purple starfish—with nineteen

arms! It is a delicate purple, the color of old carbon

paper, or an attic dress . . . at the webs between the

arms sometimes a more intense sunset red glows

through. The fingers are relaxed . . . some curled up at

the tips . . . with delicate rods . . . apparently globes

on top of each, as at World's Fairs, waving about. The

starfish slowly moves up the groin of the

rock . . . then back down . . . many of its arms rolled

up now, lazily, like a puppy on its back. One arm is

especially active and curved up over its own body as

if a dinosaur were looking behind him.

How slowly and evenly it moves! The starfish is a

glacier, going sixty miles a year! It moves over the pink

rock, by means I cannot see . . . and into marvelously

floating delicate brown weeds. It is about the size of

the bottom of a pail. When I reach into it, it tightens

and then slowly relaxes. . . . I take an arm and quickly

lift. The underside is a pale tan. . . . Gradually, as I

watch, thousands of tiny tubes begin rising from all

over the underside . . . hundreds in the mouth, hun-

dreds along the nineteen underarms . . . all looking. . .

feeling . . . like a man looking for a woman . . . tiny

heads blindly feeling for a rock and finding only air.

A purple rim runs along the underside of every arm,

with paler tubes. Probably its moving-feet.

I put him back in. He unfolds—I had forgotten

how purple he was—and slides down into his rock

groin, the snail-like feelers waving as if nothing had

happened, and nothing has.

~ Robert Bly

 from Selected Poems

photo by nick hobgood

with thanks to writers almanac

bring it back gently

If the heart wanders or is distracted, 

bring it back to the point quite gently and 

replace it tenderly in its Master’s presence. 

And even if you did nothing during the whole of your hour 

but bring your heart back and place it again in Our Lord’s presence, 

though it went away every time you brought it back, 

your hour would be very well employed. 

~ Saint Francis de Sales

with thanks to blue mountain meditation

o lacrimosa

(trilogy for future music of Ernst Krenek)

I

Oh tear-filled figure who, like a sky held back,

grows heavy above the landscape of her sorrow.

And when she weeps, the gentle raindrops fall,

slanting upon the sand-bed of her heart.

O heavy with weeping. Scale to weigh all tears.

Who felt herself not sky, since she was shining

and sky exists only for clouds to form in.

How clear it is, how close, your land of sorrow,

beneath the stearn sky's oneness. Like a face

that lies there, slowly waking up and thinking

horizontally, into endless depths.

II

It is nothing but a breath, the void.

And that green fulfillment

of blossoming trees: a breath.

We, who are still the breathed-upon,

today still the breathed-upon, count

this slow breathing of earth,

whose hurry we are.

III

Ah, but the winters! The earth's mysterious

turning-within. Where around the dead

in the pure receding of sap,

boldness is gathered,

the boldness of future springtimes.

Where imagination occurs

beneath what is rigid; where all the green

worn thin by the vast summers

again turns into a new

insight and the mirror of intuition;

where the flowers' color

wholly forgets that lingering of our eyes.

~ Rainer Maria Rilke

translation by Stephen Mitchell

art by francoise pothier

rescue the dead

Finally, to forgo love is to kiss a leaf,

is to let rain fall nakedly upon your head,

is to respect fire,

is to study man’s eyes and his gestures

as he talks,

is to set bread upon the table

and a knife discreetly by,

is to pass through crowds

like a crowd of oneself.

Not to love is to live.

To love is to be led away

into a forest where the secret grave

is dug, singing, praising darkness

under the trees.

To live is to sign your name,

is to ignore the dead,

is to carry a wallet

and shake hands.

To love is to be a fish.

My boat wallows in the sea.

You who are free,

rescue the dead.

~ David Ignatow

the signal

How can I regret my life

when I find the blue-green traffic light

on the corner delightful against the red brick

of my house. It is when the signal turns red

that I lose interest. At night

I am content to watch the blue-green

come on against the dark

and I do not torture myself

with my shortcomings.

~ David Ignatow

leap before you look

The sense of danger must not disappear:

The way is certainly both short and steep,

However gradual it looks from here;

Look if you like, but you will have to leap.

Tough-minded men get mushy in their sleep

And break the by-laws any fool can keep;

It is not the convention but the fear

That has a tendency to disappear.

The worried efforts of the busy heap,

The dirt, the imprecision, and the beer

Produce a few smart wisecracks every year;

Laugh if you can, but you will have to leap.

The clothes that are considered right to wear

Will not be either sensible or cheap,

So long as we consent to live like sheep

And never mention those who disappear.

Much can be said for social savoir-faire,

But to rejoice when no one else is there

Is even harder than it is to weep;

No one is watching, but you have to leap.

A solitude ten thousand fathoms deep

Sustains the bed on which we lie, my dear:

Although I love you, you will have to leap;

Our dream of safety has to disappear.

~ W. H. Auden

with thanks to knopf poetry

content

I should be content

to look at a mountain

for what it is

and not a comment on my life.

~ David Ignatow

art from the song dynasty

arrogance of reason

The guest is inside you, and also inside me;

you know the sprout is hidden inside the seed.

We are all struggling; none of us has gone far.

Let your arrogance go, and look around inside.

The blue sky opens out farther and farther,

the daily sense of failure goes away,

the damage I have done to myself fades,

a million suns come forward with light,

when I sit firmly in that world.

I hear bells ringing that no one has shaken,

inside "love" there is more joy than we know of,

rain pours down, although the sky is clear of clouds,

there are whole rivers of light.

The universe is shot through in all parts by a single sort of love.

How hard it is to feel that joy in all our four bodies!

Those who hope to be reasonable about it fail.

The arrogance of reason has separated us from that love.

With the word "reason" you already feel miles away.

 

~ Kabir

from The Kabir book: Forty-four of the ecstatic poems of Kabir

perspective

U-2 flight to 70,000 ft.

awake awhile

Awake awhile.

It does not have to be

Forever,

Right now.

One step upon the Sky's soft skirt

Would be enough.

Hafiz,

Awake awhile.

Just one True moment of Love

Will last for days.

Rest all your elaborate plans and tactics

For Knowing Him,

For they are all just frozen spring buds

Far,

So far from Summer's Divine Gold.

Awake, my dear.

Be kind to your sleeping heart.

Take it out into the vast fields of Light

And let it breathe.

Say,

"Love,

Give me back my wings.

Lift me,

Lift me nearer."

Say to the sun and moon,

Say to our dear Friend,

"I will take You up now, Beloved,

On that wonderful Dance You promised."

~ Hafiz

walking

A man walking in a field

and everywhere at his feet

in the short grass of April

the small purple violets

are in bloom. As the man walks 

the ground drops away,

the sunlight of day becomes

a sort of darkness in which

the lights of the flowers rise

up around him like 

fireflies or stars in a sort

of sky through which he walks.

~ Wendell Berry

from Leavings