Tuesday, March 27, 2012

april and silence





Spring lies abandoned.
A ditch the color of dark violet
moves alongside me
giving no images back.

The only thing that shines
are some yellow flowers.

I am carried inside
my own shadow like a violin
in its black case.

The only thing I want to say
hovers just out of reach
like the family silver
at the pawnbroker's.





~ Tomas Transtromer
translation by Robert Bly
from The Half Finished Heaven
photo by David Gray, Reuters




Monday, March 26, 2012

being human: a reflection





~ Jane Hirshfield



Sunday, March 25, 2012

a river tugs






A river tugs at whatever is within reach, trying to set it afloat and carry it downstream.  Living trees are undermined and washed away.  No piece of driftwood is safe, though stranded high up the bank; the river will rise to it, and away it will go.

The river extends this power of drawing all things with it even to the imagination of those who live on its banks.  Who can long watch the ceaseless lapsing of a river's current without conceiving a desire to set himself adrift, and, like the driftwood which glides past, float with the stream clear to the final ocean?





~ Harlan Hubbard
from Shantyboat - A River Way of Life



Saturday, March 24, 2012

the one close to me now





The one close to me now,
even my own body -
these too
will soon become clouds,
floating in different directions.





~ Izumi Shikibu
from The Ink Dark Moon
translation by Jane Hirshfield and Mariko Aratani


Onono Komachi and Izumi Shikibu were both Japanese poets of the Heian Period. 
 The arts of the Heian Period are marked with a definite feminine sensibility. 
Because the Chinese characters (which were used in writing Japanese) 
were seen as inappropriate to women, 
they developed a simplified and elegant style of writing/calligraphy 
that became known as Hiragana or "onna de"... "feminine hand". 


~ comments from the literature network




corruption of wholeness






Can this be taught to the students: 
to remain with the fact, the actual happening now, whether psychologically or externally?
 Knowledge is not the fact; it is about the fact and that has its proper place, 
but knowledge prevents perception of what actually is; 
then corruption takes place.

This is really very important to understand. Ideals are considered noble, exalted, of great purposeful significance, and what is actually happening is considered merely sensory, worldly and of lesser value. Schools the world over have some exalted purpose, ideal; so they are educating the students in corruption.

What corrupts the mind? We are using the word mind to imply the senses, the capacity to think, and the brain that stores all memories and experiences as knowledge. This total movement is the mind. The conscious as well as the unconscious, the so-called super-consciousness - the whole of this is the mind. We are asking what are the factors, the seeds of corruption in all this? We said ideals corrupt. Knowledge also corrupts the mind. Knowledge, particular or extensive, is the movement of the past, and when the past overshadows the actual, corruption takes place. Knowledge, projected into the future and directing what is happening now, is corruption. We are using the word corruption to mean that which is being broken up, that which is not taken as a whole. The fact can never be broken up; the fact can never be limited by knowledge. The completeness of the fact opens the door to infinity. Completeness cannot be divided; it is not self-contradictory; it cannot divide itself. Completeness, wholeness, is infinite movement.

Imitation, conformity, is one of the great factors of corruption of the mind; the example, the hero, the savior, the guru, is the most destructive factor of corruption. To follow, to obey, to conform, deny freedom. Freedom is from the beginning, not at the end. It is not to conform, to imitate, accept first and eventually find freedom. That is the spirit of totalitarianism, whether of the guru or the priest. This is the cruelty, the ruthlessness, of the dictator, of the authority, of the guru or of the high priest.

So authority is corruption. Authority is the breaking up of integrity, the whole, the complete - the authority of a teacher in a school, the authority of a purpose, of an ideal, of the one who says I know, the authority of an institution. The pressure of authority in any form is the distorting factor of corruption. Authority basically denies freedom. It is the function of a true teacher to instruct, point out, inform, without the corrupting influence of authority. The authority of comparison destroys. When one student is compared to another, both are being hurt. To live without comparison is to have integrity.




~ J. Krishnamurti
from Letters to Schools Volume One 1st September, 1978




Friday, March 23, 2012

wholeness





"How does the true man of Tao
Walk through walls without obstruction,
Stand in fire without being burnt?"

Not because of cunning
Or daring;
Not because he has learned,
But because he has unlearned.

All that is limited by form, semblance, sound, color,
Is called object.
Among them all, man alone
Is more than an object.
Though, like objects, he has form and semblance,
He is not limited to form.  He is more.
He can attain to formlessness.

When he is beyond form and semblance,
Beyond "this" and "that,"
Where is the comparison
With another object?
Where is the conflict?
What can stand in his way?

He will rest in his eternal place
Which is no-place.
He will be hidden
In his own unfathomable secret.
His nature sinks to its root
In the One.
His vitality, his power
Hide in secret Tao.

When he is all one,
There is no flaw in him
By which a wedge can enter.
So a drunken man, falling
Out of a wagon,
Is bruised but not destroyed.
His bones are like the bones of other men,
But his fall is different.
His spirit is entire.  He is not aware
Of getting into a wagon
Or falling out of one.

Life and death are nothing to him.
He knows no alarm, he meets obstacles
Without thought, without care,
Takes them without knowing they are there.

If there is such security in wine,
How much more in Tao.
The wise man is hidden in Tao.
Nothing can touch him.



~ Chuang Tzu
translation by Thomas Merton



what can I do









~ Rumi
performed by Salim Ghouse



Thursday, March 22, 2012

to slaughter memory






VII
The Verdict


The word landed with a stony thud 
Onto my still-beating breast. 
Nevermind, I was prepared, 
I will manage with the rest.

I have a lot of work to do today; 
I need to slaughter memory, 
Turn my living soul to stone 
Then teach myself to live again…

But how. The hot summer rustles 
Like a carnival outside my window; 
I have long had this premonition 
Of a bright day and a deserted house.






~ Anna Akhmatova
excerpt from Requiem, 
taken from The Complete Poems
with thanks to journal of a nobody

 


living with meaning, purpose and wisdom in the digital age









~ Eckhart Tolle with Bradley Horowitz




Monday, March 19, 2012

someday








Even the oldest of trees continues its wonderful labor.
Hummingbird lives in one of them.
He's there for the white blossoms, and the secrecy.
The blossoms could be snow, with a dash of pink.
At first the fruit is small and green and hard.
Everything has dreams, hope, ambition.

If I could I would always live in such shining obedience
where nothing but the wind trims the boughs.
I am sorry for every mistake I have made in my life.
I'm sorry I wasn't wiser sooner.
I'm sorry I ever spoke of myself as lonely.

Oh, love, lay your hands upon me again.
Some of the fruit ripens and is picked and is delicious.
Some of it falls and the ants are delighted.
Some of it hides under the snow and the famished deer are saved.






~ Mary Oliver
with thanks to rebel girl at the mark on the wall






Sunday, March 18, 2012

coleman barks - one through love









~ Rumi
with Coleman Barks



another spring





The seasons revolve and the years change
With no assistance or supervision.
The moon, without taking thought,
Moves in its cycle, full, crescent, and full.

The white moon enters the heart of the river;
The air is drugged with azalea blossoms;
Deep in the night a pine cone falls;
Our campfire dies out in the empty mountains.

The sharp stars flicker in the tremulous branches;
The lake is black, bottomless in the crystalline night;
High in the sky the Northern Crown
Is cut in half by the dim summit of a snow peak.

O heart, heart, so singularly
Intransigent and corruptible,
Here we lie entranced by the starlit water,
And moments that should each last forever

Slide unconsciously by us like water.







~ Kenneth Rexroth
from Selected Poems



the still point of the turning world










~ Thomas Merton



Saturday, March 10, 2012

beginning






The moon drops one or two feathers into the field.
The dark wheat listens.
Be still.
Now.
There they are, the moon’s young, trying
Their wings.
Between trees, a slender woman lifts up the lovely shadow
Of her face, and now she steps into the air, now she is gone
Wholly, into the air.
I stand alone by the elder tree, I do not dare breathe
Or move.
I listen.
The wheat leans back toward is own darkness,
And I lean toward mine.





~ James Wright
 from Collected Poems
photo by Gerhard Richter





must you fear what others fear?






Renounce knowledge and your problems will end.
What is the difference between yes and no?
What is the difference between good and evil?
Must you fear what others fear?
Nonsense, look how far you have missed the mark!

Other people are joyous,
as though they were at a spring festival.
I alone am unconcerned and expressionless,
like an infant before it has learned to smile.

Other people have more than they need;
I alone seem to possess nothing.
I am lost and drift about with no place to go.
I am like a fool, my mind is in chaos.

Ordinary people are bright;
I alone am dark.
Ordinary people are clever;
I alone am dull.
Ordinary people seem discriminating;
I alone am muddled and confused.
I drift on the waves on the ocean,
blown at the mercy of the wind.
Other people have their goals,
I alone am dull and uncouth.

I am different from ordinary people.
I nurse from the Great Mother's breasts.




~ Lao Tzu
from the Tao Te Ching
photo: Harlan and Anna Hubbard





there is






There is a beginning. 
There is no beginning of that beginning. 
There is no beginning of that no beginning of beginning. 

There is something. 
There is nothing. 
There is something before the beginning of something and nothing, 
and something before that. 

Suddenly there is something and nothing. 
But between something and nothing, 
I still don't really know which is something and which is nothing. 

Now, I've just said something, 
but I don't really know whether I've said anything or not.





~ Chuang Tzu
with thanks to whiskey river





Thursday, March 8, 2012

arabic coffee








~ Naomi Shihab Nye




after drinking all night with a friend







~ Robert Bly






Wednesday, March 7, 2012

garden song










~ David Mallett
performed by Pete Seeger



the walls of Layla






I pass by these walls, the walls of Layla
And I kiss this wall and that wall
It’s not Love of the houses that has taken my heart
But of the One who dwells in those houses




~ Nizami Ganjavi
from The Legend of
Layli and Madjnun
sculpture by Michael Alfano


leaders?




1717



The best leaders are those the people hardly know exist.
The next best is a leader who is loved and praised.
Next comes the one who is feared.
The worst one is the leader that is despised.

If you don't trust the people,
they will become untrustworthy.

The best leaders value their words, and use them sparingly.
When she has accomplished her task,
the people say, "Amazing:
we did it, all by ourselves!"




~ Lao Tzu
from the Tao Te Ching
translation by j.h.mcdonald




runner








It is hard to unlatch a day
from noun and story.

Breath pours
like water
out of a small bowl into a large.

One says,
Quicker.

Another says,
Listen, runner—
underwater things are fragrant to fish.





~ Jane Hirshfield




Saturday, March 3, 2012

in the heart





In the heart of the night, 
The moonlight framing
A small boat drifting,
Tossed not by the waves
Nor swayed by the breeze.



~ Dogen
from The Zen Poetry of Dogen




moonlight sonata








Wilhelm Kempff plays Beethoven's Moonlight Sonata mvt. 1
published on this date in 1802

Friday, March 2, 2012

within this tree




Within this tree
another tree
inhabits the same body;
within this stone
another stone rests,
its many shades of grey
the same,
its identical
surface and weight.
And within my body,
another body,
whose history, waiting,
sings: there is no other body,
it sings,
there is no other world.










~ Jane Hirshfield
from The October Palace
art by tara turner





Thursday, March 1, 2012

death could come!





The musician's finger do not hurry at all as they climb up the Jacob's Ladder of her bass.   They are not accomplishing tasks laid down by others, but have agreed to luminous labors suggested - by whom?  The fingers go higher. The Cantata says: "Death is not far off... Death could come!"  Men's and women's voices all around cry out:  "It is the ancient law!"

Now we sense the odor of roots, of partridge berries, masses of leaves that give up their lives without complaining.

The musician's fingers appear from the house of the hand-back, as if the hand were a being in itself, with its own slow joys, and its own cottage where it lives, sleeping long on winter nights.

Now the beings run up the mountain path; they are goats that do a firm dance, one foot down, then the other, many fields and mountain paths with goats on them leaping...And we who listen, are crossing a mountain at dusk. We walk a long time through the moor in the dark, at last we see a hut with one lamp lit...




~ Robert Bly
from Reaching Out to the World
(For Susan Mathews Allard and Her Double Bass)
art by picasso


Friday, February 24, 2012

complete unknowing





Happy Birthday, Jane

Awareness and self-consciousness are delicate matters. Trying to examine more deeply what poems are and how they work has informed my life and brought me great joy. I don't think that attentiveness ever diminishes experience. There are times, however, when you don't want to be self-conscious. One is while writing the first draft of a new poem. At that stage too much consciousness is limiting and therefore damaging. It can wall off the permeable, the mysterious, everything you don't already know. When I write, I don't know what is going to emerge. I begin in a condition of complete unknowing, an utter nakedness of concept or goal. A word appears, another word appears, an image. It is a moving into mystery. Everything I am and know and have lived goes into a poem. I hope I'll never be governed by theoretical knowledge when I set out to write. Poems are born in part from the history and culture of other poems, but in writing I hope to learn a new thing, something fresh about what's going on in that moment, in my own life and in the world. Craft consciousness is essential to the finished poem, but comes later.




~ Jane Hirshfield
 from a 1997 Atlantic Monthly interview



straw dogs






Heaven and Earth are impartial;
they treat all of creation as straw dogs.
The Master doesn't take sides;
she treats everyone like a straw dog.

The space between Heaven and Earth is like a bellows;
it is empty, yet has not lost its power.
The more it is used, the more it produces;
the more you talk of it, the less you comprehend.

It is better not to speak of things you do not understand.





~ Lao Tzu
from the Tao Te Ching
translation by j.h.mcdonald
art by van gogh


Thursday, February 23, 2012

words do not come






words do not come
there is no need for profound utterances or
deep truths
here is an ordinary evening
why spoil it with dramatic overstatement

the silence amidst the noise
the gem at the core 
of every experience
is polished by simple attention
into shining magnificence





~ Nirmala
from Gifts with no Giver: A Love affair with Truth




the tower of spirit






The spirit has an impregnable tower
Which no danger can disturb
As long as the tower is guarded
By the invisible Protector
Who acts unconsciously, and whose actions
Go astray when they become deliberate,
Reflexive, and intentional.

The unconsciousness
And entire sincerity of Tao
Are disturbed by any effort
At self-conscious demonstration.
All such demonstrations
Are lies.

When one displays himself
In this ambiguous way
The world outside storms in 
And imprisons him.

He is no longer protected 
By the sincerity of Tao.
Each now act
Is a new failure.

If his acts are done in public, 
In broad daylight,
He will be punished by men.
If they are done in private
And in secret,
They will be punished
By spirits.

Let each one understand 
The meaning of sincerity
And guard against display!

He will be at peace
With men and spirits
And will act rightly, unseen,
In his own solitude,
In the tower of his spirit.



~ Chuang Tzu
translation by Thomas Merton
sketch by Thomas Merton


the frontiers of language







Where can I find a man who has forgotten words? 
He is the one I would like to talk to. 

~ Chuang Tzu



But before we come to that which is unspeakable and unthinkable, 
the spirit hovers on the frontiers of language, 
wondering whether or not to stay on its own side of the border, 
in order to have something to bring back to other men. 
This is the test of those who wish to cross the frontier. 
If they are not ready to leave their own ideas and their own words behind them, 
they cannot travel further. 

~ Thomas Merton
from No Man is an Island




The unconsciousness
And entire sincerity of Tao
Are disturbed by any effort
At self-conscious demonstration. 

~ Chuang Tzu




In The Way of Chuang Tzu, Merton is communicating his own joy from his spirit’s tower. He has found a new friend who has taught him the irony of words as well as the value of irony. Like the best of Merton’s words, The Way of Chuang Tzu points to an experience of contemplation, while it reverently and wisely backs away from providing or insisting upon such an experience. Just as Merton kicks away Chuang Tzu like a ladder after experiencing the unknowing Chuang Tzu describes, Merton invites us to climb his own words and to forget them as well. 


~ commentary from slow reads



Wednesday, February 22, 2012

gods






Gods are everywhere:
war between Koshi and Izumo
tribes still rages.

The all of All, the One
ends distinctions.

The three thousand worlds
are in that plum blossom.
The smell is God.





~ Shinkichi Takahashi
translation by Lucien Stryk and Takashi Ikemoto
from  Zen Poetry: Let the Spring Breeze Enter
art by Zheng Faxiang





destruction








The universe is forever falling apart --
No need to push the button,
It collapses at a finger's touch:
Why, it barely hangs on the tail of a sparrow's eye.

The universe is so much eye secretion,
Hordes leap from the tips
Of your nostril hairs. Lift your right hand:
It's in your palm. There's room enough
On the sparrow's eyelash for the whole.

A paltry thing, the universe:
Here is all the strength, here the greatest strength.
You and the sparrow are one
And, should he wish, he can crush you.
The universe trembles before him.





~ Shinkichi Takahashi
translation by Lucien Stryk and Takashi Ikemoto
with thanks to poetry chaikhana