Wednesday, January 16, 2013

soul of the world






Rumi 
version and reading by Coleman Barks 



summoned







And it was at that age... Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no, they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating planations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.

And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
I felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke free on the open sky.




~ Pablo Neruda
version by Anthony Kerrigan
from Selected Poems
with thanks to poetry chaikhana





Monday, January 14, 2013

no place





Where you come from is gone, 
where you thought you were going to was never there, 
and where you are is no good unless you can get away from it. 

Where is there a place for you to be? 
No place. 
Nothing outside you can give you any place. 
In yourself right now is all the place you've got.

You needn't look at the sky because 
it's not going to open up and show no place behind it. 

You needn't search for any hole in the ground 
to look through into somewhere else. 

You can't go neither forwards nor backwards 
into your daddy's time nor your children's if you have them. 

In yourself right now is all the place you've got. 
If there was any Fall, look there, 
if there was any Redemption, look there, 
and if you expect any Judgment, look there, 

because they all three will have to be in your time 
and your body and where in your time and your body can they be?




~ Flannery O'Connor
from Wise Blood
art by georgia okeeffe
with thanks to whiskeyriver





the first elegy






Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them pressed me
suddenly against his heart:  I would be consumed 
in that overwhelming existence.  For beauty is nothing
but the beginning of terror, which we still are just able to endure,
and we are so awed because it serenely disdains
to annihilate us.  Every angel is terrifying.

And so I hold myself back and swallow the call-note
of my dark sobbing.  Ah, whom can we ever turn to
in our need?  Not angels, not humans,
and already the knowing animals are aware
that we are not really at home in
our interpreted world.  Perhaps there remains for us
some tree on a hillside, which every day we can take 
into our vision;  there remains for us yesterday's street
and the loyalty of a habit so much at ease
when it stayed with us that it moved in and never left.

Oh and night:  there is night, when a wind full of infinite space 
gnaws at our faces.  Whom would it not remain for - that longed-after,
mildly disillusioning presence, which the solitary heart
so painfully meets.  Is it any less difficult for lovers?
But they keep on using each other to hide their own fate.

Don't you know yet?   Fling the emptiness out of your arms 
into the spaces we breathe;  perhaps the birds
will feel the expanded air with more passionate flying.

Yes - the springtimes needed you.  Often a star
was waiting for you to notice it.  A wave rolled toward you
out of the distant past, or as you walked
under an open window, a violin
yielded itself to your hearing.  All this was mission.
But could you accomplish it?  Weren't you always
distracted by expectation, as if every event
announced a beloved?  (Where can you find a place
to keep her, with all the huge strange thoughts inside you
going and coming and often staying all night.)

But when you feel longing, sing of women in love;
for their famous passion is still not immortal.  Sing
of women abandoned and desolate (you envy them, almost)
who could love so much more purely than those who were gratified.
Begin again and again the never-attainable praising;
remember:  the hero lives on; even his downfall was
merely a pretext for achieving his final birth.
But Nature, spent and exhausted, takes lovers back
into herself, as if there were not enough strength
to create them a second time.  Have you imagined
Gaspara Stampa intensely enough so that any girl
deserted by her beloved might be inspired
by that fierce example of soaring, objectless love
and might say to herself, "Perhaps I can be like her"?
Shouldn't this most ancient of sufferings finally grow
more fruitful for us?  Isn't it time that we lovingly
freed ourselves from the beloved and, quivering, endured:
as the arrow endures the bowstring's tension, so that 
gathered in the snap of release it can be more than
itself.  For there is no place where we can remain.

Voices.  Voices.  Listen, my heart, as only
saints have listened:  until the gigantic call lifted them
off the ground; yet they kept on, impossibly,
kneeling and didn't notice at all:
so complete was their listening.  Not that you could endure
God's voice - far from it.  But listen to the voice of the wind
and the ceaseless message that forms itself out of silence.
It is murmuring toward you now from those who died young.
Didn't their fate, whenever you stepped into a church
in Naples or Rome, quietly come to address you?
Or high up, some eulogy entrusted you with a mission,
as, last year, on the plaque in Santa Maria Formosa.
What they want of me is that I gently remove the appearance
of injustice about their death - which at times
slightly hinders their souls from proceeding onward.

Of course, it is strange to inhabit the earth no longer,
to give up customs one barely had time to learn,
not to see roses and other promising Things
in terms of a human future; no longer to be 
what one was in infinitely anxious hands; to leave 
even one's own first name behind, forgetting it
as easily as a child abandons a broken toy.
Strange to no longer desire one's desires.  Strange
to see meanings that clung together once, floating away
in every direction.  And being dead is hard work
and full of retrieval before one can gradually feel
a trace of eternity. - Though the living are wrong to believe
in the too-sharp distinctions which they themselves have created.
Angels (they say) don't know whether it is the living 
they are moving among, or the dead.  The eternal torrent
whirls all ages along in it, through both realms
forever, and their voices are drowned out in its thunderous roar.

In the end, those who were carried off early no longer need us:
they are weaned from earth's sorrows and joys, as gently as children 
outgrow the soft breasts of their mothers.  But we, who do need
such great mysteries, we for whom grief is so often
the source of our spirit's growth -: could we exist without them?
Is the legend meaningless that tells how, in the lament for Linus,
the daring first notes of song pierced through the barren numbness;
and then in the startled space which a youth as lovely as a god
had suddenly left forever, the Void felt for the first time
that harmony which now enraptures and comforts and helps us.




~ Rainer Maria Rilke
from the  Duino Elegies
translation by Stephen Mitchell






Friday, January 11, 2013

I am in love...I'm ready...








~ Terry Gross and Maurice Sendak
with thanks to erin w


in my beginning is my end





Home is where one starts from. As we grow older 
The world becomes stranger, the pattern more complicated 
Of dead and living. Not the intense moment 
Isolated, with no before and after, 
But a lifetime burning in every moment 
And not the lifetime of one man only 
But of old stones that cannot be deciphered. 
There is a time for the evening under starlight, 
A time for the evening under lamplight 
(The evening with the photograph album). 
Love is most nearly itself 
When here and now cease to matter. 
Old men ought to be explorers 
Here or there does not matter 
We must be still and still moving 
Into another intensity 
For a further union, a deeper communion 
Through the dark cold and the empty desolation, 
The wave cry, the wind cry, the vast waters 
Of the petrel and the porpoise. In my end is my beginning.



~  Thomas Sterns Eliot
from Four Quartets, East Coker




Thursday, January 10, 2013

I have daughters and I have sons




1
Who is out there at six a.m.?  The man
Throwing newspapers onto the porch,
And the roaming souls suddenly
Drawn down into their sleeping bodies.

2
Wild words of Jacob Bohme
Go on praising the human body,
But heavy words of the ascetics 
Sway in the fall gales.

3
Do I have a right to my poems?
To my jokes? To my loves?
Oh foolish man, knowing nothing -
Less than nothing - about desire.

4
I have daughters and I have sons.
When one of them lays a hand 
On my shoulder, shining fish
Turn suddenly in the deep sea.

5
At this age, I especially love dawn
On the sea, stars above the trees,
Pages in The Threefold Life,
And the pale faces of baby mice.

6
Perhaps our life is made of struts
And paper, like those early
Wright Brothers planes.  Neighbors
Run along holding the wingtips.

7
I do love Yeats's fierceness
As he jumped into a poem,
And that lovely calm in my father's
Hands, as he buttoned his coat.



~ Robert Bly
from Talking into the Ear of a Donkey



Monday, January 7, 2013

circus animals





Bears are stomping in perfect time.
A lion jumps through flaming hoops.
A whip cracks and the music grinds.
A monkey rides a bike in a yellow suit.
A whip cracks and the animals turn their glance.
Dogs dance in carefully measured movements.
An elephant walks with a pitcher in perfect balance.

Myself, I'm quite embarrassed, I, a human.

People didn't enjoy themselves that day.
You wouldn't know it from the clapping hands
though one hand elongated by a whip
cast a striking shadow on the sand.



~Wislawa Szymborska
from miracle fair
translation by Joanna Trzeciak





Sunday, January 6, 2013

the end and the beginning




After every war
someone has to clean up.
Things won't
straighten themselves up, after all.

Someone has to push the rubble
to the side of the road,
so the corpse-filled wagons
can pass.

Someone has to get mired 
in scum and ashes,
sofa springs, 
splintered glass,
and bloody rags.

Someone has to drag a girder
to prop up a wall,
Someone has to glaze a window,
rehang a door.

Photogenic it's not,
and takes years,
All the cameras have left
for another war.

We'll need the bridges back,
and new railway stations.
Sleeves will go ragged
from rolling them up.

Someone, broom in hand,
still recalls the way it was.
Someone else listens
and nods with unsevered head.
But already there are those nearby
starting to mill about 
who will find it dull.

From out of the bushes
 sometimes someone still unearths
rusted-out arguments
and carries them to the garbage pile.

Those who knew
what was going on here 
must make way for 
those who know little.
And less than little.
And finally as little as nothing.

In the grass that has overgrown
causes and effects,
someone must be stretched out
blade of grass in his mouth
gazing at the clouds.




~ Wislawa Szymborska
from miracle fair
translation by Joanna Trzeciak


the frogs after dark






I am so much in love with mournful music
That I don't bother to look for violinists.
The aging peepers satisfy me for hours.

The ant moves on his tiny Sephardic feet.
The flute is always glad to repeat the same note.
The ocean rejoices in its dusky mansion.

Bears are often piled up close to each other.
In caves of bears, it's just one hump
After another, and there is no one to sort it out.

You and I have spent so many hours working.
We have paid dearly for the life we have.
It's all right if we do nothing tonight.

We've heard the fiddlers tuning their old fiddles,
And the singer urging the low notes to come.
We've heard her trying to keep the dawn from breaking.

There is some slowness in life that is right for us.
But we love to remember the way the soul leaps
Over and over into the lonely heavens.



~ Robert Bly
from Talking into the ear of a Donkey



Saturday, January 5, 2013

coursera






~ Daphne Koller
co-creator of Coursera

Friday, December 28, 2012

childhood






It would be good to give much thought, before
you try to find words for something so lost,
for those long childhood afternoons you knew
that vanished so completely - and why?

We're still reminded - : sometimes by a rain,
but we can no longer say what it means;
life was never again so filled with meeting,
with reunion and with passing on

as back then, when nothing happened to us
except what happens to things and creatures:
we lived their world as something human,
and became filled to the brim with figures.

And became as lonely as a sheperd
and as overburdened by vast distances,
and summoned and stirred as from far away,
and slowly, like a long new thread,
introduced into that picture-sequence
where now having to go on bewilders us. 




~ Rainer Maria Rilke
photo by kathleen connally


Thursday, December 27, 2012

every atom babbles the mystery






Love plays its lute behind the screen -
where is a lover to listen to its tune?

With every breath a new song,
each split second a new string plucked.

The world has spilled Love's secret -
when could music ever hold its tongue?

Every atom babbles the mystery -
Listen yourself, for I'm no tattletale!




~ Fakhruddin Iraqi
from Divine Flashes 
translation by William Chittick and Peter Lamborn Wilson
art by van gogh



Sunday, December 23, 2012

a christmas poem





Christmas is a place, like Jackson Hole, where all agree
To meet once a year. It has water, and grass for horses;
All the fur traders can come in. We visited the place
As children, but we never heard the good stories.

Those stories only get told in the big tents, late
At night, when a trapper who has been caught
In his own trap, held down in icy water, talks; and a man
With a ponytail and a limp comes in from the edge of the fire.

As children we knew there was more to it—
Why some men got drunk on Christmas Eve
Wasn't explained, nor why we were so often 
Near tears nor why the stars came down so close,
Why so much was lost. Those men and women
Who had died in wars started by others,
Did they come that night? Is that why the Christmas tree
Trembled just before we opened the presents?

There was something about angels. Angels we
Have heard on high Sweetly singing o'er 
The plain. The angels were certain. But we could not
Be certain whether our family was worthy tonight.


~ Robert Bly
from Morning Poems



Wednesday, December 19, 2012

two water-sellers





A man who lived by selling water found
He'd very little left; he looked around
And saw another water-seller there -
"Have you got any water you could spare?"
He asked.  "No, fool, I certainly have not,"
The other snapped; "make do with what you've got!"
"Oh, give me some," the man began to plead;
"I'm sick of what I have; it's yours I need."
When Adam's heart grew tired of all he knew,
He yearned for wheat, a substance strange and new -
He gave up all he owned for one small grain,
And naked suffered love's relentless pain;
He disappeared in love's intensity -
The old and new were gone and so was he;
He was annihilated, lost, made naught -
Nothingness swallowed all his hands had sought.
To turn from what we are, to yearn and die
Is not for us to choose or to deny."




~ Farid Attar
from The Conference of Birds
art by Diego Rodriguez de Silva y Velazquez