Thursday, June 16, 2011

the tombs of the resurrected


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.
This was the time which began with his feeling as general and anonymous as a slowly recovering convalescent.  He didn't love anything, unless it could be said that he loved existing.  The humble love that his sheep felt for him was no burden;  like sunlight falling through clouds, it dispersed around him and softly shimmered upon the meadows.  On the innocent trail of their hunger, he walked silently over pastures of the world.  Strangers saw him on the Acropolis, and perhaps for many years he was one of the shepherds in Les Baux, and saw petrified time outlast that noble family which, in spite of all their conquests under the holy numbers seven and three, could not overcome the fatal sixteen-rayed star on their own coat-of-arms.  Or should I imagine him at Orange, resting against the rustic triumphal arch?  Should I see him in the soul-inhabited shade of Alyscamps, where, among the tombs that lie open as the tombs of the resurrected, his glance chases a dragonfly?


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~ Rainer Maria Rilke
from The Notebooks of Malte Laurids Brigge
translated by Stephen Mitchell



Tuesday, June 14, 2011

a desire to set himself adrift





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A river tugs at whatever is within reach, trying to set it afloat and carry it downstream.  Living trees are undermined and washed away.  No piece of driftwood is safe, though stranded high up the bank; the river will rise to it, and away it will go.

The river extends this power of drawing all things with it even to the imagination of those who live on its banks.  Who can long watch the ceaseless lapsing of a river's current without conceiving a desire to set himself adrift, and, like the driftwood which glides past, float with the stream clear to the final ocean.



~ Harlan Hubbard
from Shantyboat - A River Way of Life

reminiscent of Van Gogh's Starry Night,
massive congregations of greenish phytoplankton 
swirl in dark water around Sweden’s Gotland island 
in a satellite picture by the U.S. Geological Survey



Monday, June 13, 2011

to a child dancing in the wind






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Dance there upon the shore;
What need have you to care
For wind or water’s roar?
And tumble out your hair
That the salt drops have wet;
Being young you have not known
The fool’s triumph, nor yet
Love lost as soon as won,
Nor the best labourer dead
And all the sheaves to bind.
What need have you to dread
The monstrous crying of wind?

II

Has no one said those daring
Kind eyes should be more learn’d?
Or warned you how despairing
The moths are when they are burned,
I could have warned you, but you are young,
So we speak a different tongue.

O you will take whatever’s offered
And dream that all the world’s a friend,
Suffer as your mother suffered,
Be as broken in the end.
But I am old and you are young,
And I speak a barbarous tongue.



~ William Butler Yeats
(13 June 1865 – 28 January 1939)
from Responsibilities and Other Poems, 1916
thanks to woods lot




courting forgetfulness




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It's hard to know what sort of rough music
Could send our forgetfulness back into the ground,
From which the gravediggers pulled it years ago.

The first moment of the day we court forgetfulness.
Even when we are fully awake, a century can
Go by in the space of a single heartbeat.

The life we lose through forgetfulness resembles
The earth that sticks to the sides of plowshares
And the eggs the hen has abandoned in the woods.

A thousand gifts were given to us in the womb.
We lost hundreds during the forgetfulness of birth,
And we lost the old heaven on the first day of school.

Forgetfulness resembles the snow that weighs down
The fir boughs; behind our house you'll find
A forest going on for hundreds of miles.

It's to our credit that we can remember
So many lines of Rilke, but the purpose of forgetfulness
Is to remember the last time we left this world.



~ Robert Bly
from Talking into the Ear of a Donkey



Sunday, June 12, 2011

for Japan




.




to the present visitors






Now we come to the famous classroom 
where every year a fortunate few
in the days of their youth study
autumn forgetting the numbers beforehand
as they have been doing since the words 
were all in Latin no cameras
allowed in here notice the slight breeze 
from the windows here among the trees
and the fragrance at the end of spring
notice the leaves outside the window frames
the new grass in the light of morning
notice the charts of colors on the walls
set in order and the moons in the calendars
the constellations the dark dials
the portraits of flowers still as the tables
here they study what is too far away
ever to grasp and too near to recognize
notice the leaves changing as we watch
then it will be summer and these studies
will be over and then it will be autumn
and most of them will be forgotten
notice the bell in place outside the door
and the dog lying near the foot of the stairs
waiting for a time that she remembers



~ W.S. Merwin
from Present Company
art by van gogh





stranger (excerpt)






.
Closer and clearer
Than any wordy master
Thou inward Stranger
Whom I have never seen,

Deeper and cleaner
Than the clamorous ocean,
Seize up my silence
Hold me in Thy Hand!

Now act is waste
And suffering undone
Laws become prodigals
Limits are torn down
For envy has no property
And passion is none.

Look, the vast Light stands still
Our cleanest Light is One!


.
~ Thomas Merton
from The Collected Poems of Thomas Merton
art by picasso


Saturday, June 11, 2011

get your living by loving





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The great art of life is how to turn the surplus life of the soul into life for the body - 
so that life be not a failure... 

If I should sell both my forenoons and afternoons to society, 
as most appear to do, 
I am sure that for me there would be nothing left worth living for.  

I trust that I shall never thus sell my birthright for a mess of pottage.  
I wish to suggest that a man may be very industrious, and yet not spend his time well.  
There is no more fatal blunderer than he who consumes the greater part of his life getting his living.  

All great enterprises are self-supporting.  
The poet, for instance, must sustain his body by his poetry, 
as a steam planing mill feeds its boiler with the shavings it makes.  
You must get your living by loving.



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~ Henry David Thoreau
from his journal, March 13, 1853
art by roderick maclver


the active life -





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Friday, June 10, 2011

to the present tense




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By the time you are
by the time you come to be
by the time you read this
by the time you are written
by the time you forget
by the time you are water through fingers
by the time you are taken for granted
by the time it hurts 
by the time it goes on hurting
by the time there are no words for you
by the time you remember
but without names
by the time you are in the papers
and on the telephone
passing unnoticed there too

who is it
to whom you come 
before whose very eyes
you are disappearing
without making yourself known


.
~ W.S. Merwin
from Present Company



Wednesday, June 8, 2011

respite





Day after quiet day passes.
I speak to no one besides the dog.
To her,
I murmur much I would not otherwise say.

We make plans
then break them on a moment's whim.
She agrees;
though sometimes bringing
to my attention a small blue ball.

Passing the fig tree
I see it is
 suddenly huge with green fruit,
which may ripen or not.

Near the gate,
I stop to watch
the sugar ants climb the top bar
and cross at the latch,
as they have now in summer for years.

In this way I study my life.
It is,
I think today,
like a dusty glass vase.

A little water, 
a few flowers would be good,
I think;
but do nothing. Love is far away.
Incomprehensible sunlight falls on my hand.



~ Jane Hirshfield
from The Lives of the Heart



Friday, May 27, 2011

where does the dance begin, where does it end?


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.
Don't call the world adorable, or useful, that's not it.
It's frisky, and a theater for more than fair winds.
The eyelash of lightning is neither good nor evil.
The struck tree burns like a pillar of gold.

But the blue rain sinks, straight to the white feet of the trees
whose mouths open.
Doesn't the wind, turning in circles, invent the dance?
Haven't the flowers moved, slowly, across Asia, then Europe, until at last, now, the shine
in your own yard?

Don't call this world an explanation, or even an education.

When the Sufi poet whirled, was he looking
outward, to the mountains so solidly there
in a white-capped ring, or was he looking

to the center of everything: the seed, the egg, the idea
that was also there,
beautiful as a thumb
curved and touching the finger, tenderly,
little love-ring,

as he whirled,
oh jug of breath,
in the garden of dust?


.

~ Mary Oliver
from Why I wake Early



each separate fragment






.

Love all that has been created by God,
 both the whole and every grain of sand. 
Love every leaf and every ray of light. 
Love the beasts and the birds, love the plants, 
love every separate fragment. 

If you love each separate fragment, 
you will understand the mystery of the whole resting in God. 




~ Dostoyevsky

Tuesday, May 24, 2011

dog and bear






The air this morning,
blowing between fog and drizzle,

is like a white dog in the snow
who scents a white bear in the snow
who is not there.

Deeper than seeing,
deeper than hearing,
they stand and glare, one at the other.

So many listen lost, in every weather.

The mind has mountains,
Hopkins wrote, against his sadness.

The dog held the bear at bay, that day.



~ Jane Hirshfield
from After
photo by  Kathleen Connally






to be admired






.


They are to be admired those survivors
of solitude who have gone with no maps
into the room without feature,
where no wilderness awaits a footstep trace,
no path of dance to a cold summit
to look back on and feel exuberant,
no clarity of territories yet untouched
that tremble near the human breath,
no thickets of undergrowth with deep pores
to nest the litanies of wind addicted birds,
no friendship of other explorers
drawn into the dawn of the unknown.

No. They do not belong to the outside worship
of the earth, but risk themselves in the interior
space where the senses have nothing to celebrate,
where the air intensifies the intrusion of the human
and a poultice of silence pulls every sound
out of a circulation down into the ground,
where in the panic of being each breath unravels
an ever deeper strand in the web of weaving mind,
shawls of though fall off, empty and lost,
where the only red scream of blood continues unheard
within anonymous skin, and the end of all exploring
is the relentless arrival at an ever novel nowhere. 



~ John O'Donohue
from Echoes of Memory