Wednesday, February 19, 2020

to the next centuries






Is there autumn there, is there leaf smoke, is the air
blued and mapled, oaked and appled and wined,
is that tang, that ache for who knows?
gone from your sweaters and hair?
Are there trees even, do they break out
in uncontrollable cold fires,
do they shatter in long, unreal downstreamings,
is October the same without them, is our sadness
so river-and-wind swift, and so free, is it still
our sharpest seeing, if we have not learned from them
how to be taken apart, how to be blown away? 

Are clouds the same, are they still our clouds
if leaves have never seethed against them
on a tempestuous night, are they wild, is the moon the same
if it has never wildly sailed through wild clouds,
is there a Hunter’s Moon, a Blood Moon tinged
with the rust and incandescence of the leaves,
is there a moon at all, a hanging stone,
a white astonishment, the exile’s breath on a pane? 

There is sun, I am sure—has it grown more dangerous,
has its shine through thin ozone whited out your eyes,
does it drive dunes through your forests, has it warmed
the seas to exactly body temperature?
What is it like to have won and won and won,
no mile without its grid of roads,
no block unwired, no handswidth without wireless,
when every breeze has been rebreathed
each current steered, each cliff a mirror?
Is there no wild desire, no wild with all regret
because no animals are wild, because the hills
are leveled and the valleys raised
because there is no clear and endless sky? 

And what has endangered my imagination
that imagines you pale and bodiless and scanned,
not a shadow left in your floodlit brain,
your sleep hard in coming, dreams shallow and bright?
Why do I see you in a white room floating
among machines and drips and feeds
as if you were my dead, who went before me
on white boats launched into the future,
as if you were me, when I am tired,
as I am tired now, tired of the expertise
that says there is nothing new,
no thoughts or feelings not already words,
no words I have not said again and again,
thinking how long this trip has been, so near its end
that I will never again put down new roots,
change jobs, raise children, fall in love.
I can lighten my suitcase now, discarding my ticket,
since there is no return, the map of the city
I’ll never get back to, the little blue phrase book
for the language I’ll never speak again, the sweater,
the half-read novel, the comb, the end of this thought.... 

I know you will never hear the squeak of a mail box,
church bells (already quaint here), a van
graveling around a turn, a CD (surely gone).
I won’t ask (couldn't endure to know) are there birds there
still building the dawn. I know you can’t hear
the wind I’m hearing though there will be winds, the song
that’s blowing me away, though there will be song
after song. And you can’t hear this, though you, like me,
will lose what seems like everything and go on, cry
against your weariness with leaves and moon and wind,
or whatever passes then for moon and leaves and wind,
cry out against death and the dead world,
the dead world, and the death in you, until, like me,
you can stand again unborn, unused, unknown.




~ James Richardson
photo by Christine de Grancy



there was a time






.
...There was a time when I thought sweeter than the quiet converse of monks, 
the cooing of the ring dove flitting about the pool.

There was a time when I thought sweeter than the sound of a little bell beside me,
 the warbling of the blackbird from the gable and the belling of the stag in the storm.

There was a time when I thought sweeter than the voice of a lovely woman beside me,
 to hear at matins the cry of the heathhen of the moor.

There was a time when I thought sweeter the howling of wolves,
 than the voice of a priest indoors, baa-ing and bleating.

Though you like your ale with ceremony in the drinking-halls, 
I like better to snatch a drink of water in my palm from a spring.

Though you think sweet, yonder in your church, the gentle talk of your students, 
sweeter I think the splendid talking the wolves make in Glenn mBolcain.

Though you like the fat and meat which are eaten in the drinking-halls, 
I like better to eat a head of clean water-cress in a place without sorrow...





~ Irish; author unknown;
 twelfth century



Monday, February 17, 2020

arrows





Transformed into arrows
let's all go, body and soul!
Piercing the air
let's go, body and soul,
with no way of return,
transfixed there,
rotting with the pain of striking home,
never to return.

One last breath! Now, let's quit the string,
throwing away like rags
all we've had for decades
all we've enjoyed for decades
all we've piled up for decades,
happiness,
the lot.
Transformed into arrows
let's all go, body and soul!

The air is shouting! Piercing the air
let's go, body, and soul!
In dark daylight the target is rushing towards us.
Finally, as the target topples
in a shower of blood,
let's all just once as arrows
bleed.

Never to return!
Never to return!

Hail, arrows, our nation's arrows!
Hail, Warriors! Spirits of the fallen! 




~ Ko Un
translation by Brother Anthony





end to end





Friend, what do you want of me?
I contain all that was, what is, and what will be.
I hold all, standing tall.
Take everything from me you please.
I won't say no if you want all.
Say, friend, what do you want of me?
I am love.  Love fills me end to end.
What you desire to fill
Your soul, we both desire, friend.
Say to us nakedly your will.



~ Marguerite Porete
from The Mirror of Simple Souls
translated by Aliki Barnstone and Willis Barnstone
photo of "Yayoi Kusama: Infinity Mirrors"
 
Marguerite was part of a community of Beguines.  Some of her writing attacked the established clergy.  She and her works were condemned and she was publicly burned around 1300.


Saturday, February 15, 2020

behind all my behaviors






Please always know that behind all of my human behaviors - 
behind the best of me and the worst of me, 
behind the ego struggling to survive - 
is my soul, longing to mingle with yours.




~ Elizabeth Lesser
as spoken by Ram Dass
from Broken Open






empty yourself


.



As a river empties into the ocean,
empty yourself into Reality.

When you are emptied into Reality
you are filled with compassion,

desiring only justice.

When you desire only justice,
the will of Reality becomes your will.

When you are filled with compassion,
there is no self to oppose another

and no other to stand against oneself.



~ Pirke Avot 2:4 —
a compilation of ancient Jewish teachings and maxims.


empty and awake






We were never really born, we will never really die. 
It has nothing to do with the imaginary idea of a personal self, 
other selves, many selves everywhere: Self is only an idea, 
a mortal idea. That which passes into everything is one thing.
 It’s a dream already ended. There’s nothing to be afraid of 
and nothing to be glad about. I know this from staring at mountains
 months on end. They never show any expression, they are
 like empty space. Do you think the emptiness of space will ever crumble away?
Mountains will crumble, but the emptiness of space, which is the one
 universal essence of mind, the vast awakenerhood, empty and awake, 
will never crumble away because it was never born.


The world you see is just a movie in your mind.
Rocks don't see it.
Bless and sit down.
Forgive and forget.
Practice kindness all day to everybody
and you will realize you're already
in heaven now.
That's the story.
That's the message.
Nobody understands it,
nobody listens, they're
all running around like chickens with heads cut
off. I will try to teach it but it will
be in vain, s'why I'll
end up in a shack
praying and being
cool and singing
by my woodstove
making pancakes.
 
 
 

  ~ Jack Kerouac
from  The Portable Jack Kerouac
with thanks to whiskey river
 
 
 

Thursday, February 13, 2020

radical discontinuity







I have been talking, of course, about a dualism that manifests itself in several ways:
 as a cleavage, a radical discontinuity, between Creator and creature,
 spirit and matter, religion and nature, religion and economy, 
worship and work, and so on. This dualism, I think, is the most destructive disease
 that afflicts us. In it’s best-known, it’s most dangerous, and perhaps its fundamental version,
 it is the dualism of body and soul. This is an issue as difficult as it is important,
 and so to deal with it we should start at the beginning…




~ Wendell Berry
from The Art of the Commonplace: The Agrarian Essays of Wendell Berry



Wednesday, February 12, 2020

progress?






• Questioner:

How am I to know if there is any progress in my spiritual search?
How am I to know if I am progressing?


 
• Maharaj: 


You don't really listen. If you did, such a question should not arise.
 And, if at all it did, you could have easily dealt with it yourself,
 in case if you had listened to me attentively and understood 
what I had been saying. Instead, I find that this question does disturb
 many of you. The problem apparently is about 'progress'. 

Now, who is to make the progress, and progress towards what?

 I have said this repeatedly and untiringly that you are the Conscious Presence,
 the animating consciousness which gives sentience to phenomenal objects; 
that you are not a phenomenal object, which is merely an appearance
 in the consciousness of those who perceive it. How can an 'appearance' 
make any 'progress' towards any objective? 

Now, instead of letting this basic perception impregnate your very being, 
what you do is to accept it merely as an ideological thesis and ask the question. 
How can a conceptual appearance know whether it is making any 
conceptual progress towards its conceptual liberation? 

Perception is not a matter of gradual practice. It can only happen by itself 
instantaneously, there are no stages in which deliberate progress is made. 
There is no 'one' to make any progress.

 Perhaps, one wonders, could it be that the surest sign of 'progress',
 if one cannot give up the concept, is a total lack of concern about 'progress'
 and an utter absence of anxiety about anything like 'liberation', 
a sort of' 'hollowness' in one's being, a kind of looseness, 
an unvolitional surrender to whatever might happen? 



 ~ Nisargadatta Maharaj
with thanks to No Mind's Land


Tuesday, February 11, 2020

it belonged to no one







You playmates of mine in the scattered parks of the city,
small friends from childhood of long ago:
how we found and liked one another, hesitantly,
and, like the lamb with the talking scroll,

spoke with our silence. When we were filled with joy
it belonged to no one: it was simply there.
And how it dissolved among all the adults who passed by
and in the fears of the endless year.

Wheels rolled past us, we stood and stared at the carriages;
horses surrounded us, solid but untrue--and none 
of them ever knew us. What in the world was real?

Nothing. Only the balls. Their magnificent arches.
Not even the children . . . But sometimes one,
oh a vanishing one, stepped under the plummeting ball.




~ Rainer Maria Rilke
 In memorial: Egon von Rilke
(beloved cousin of Rilke who died young) 



comparison and struggle






One is everlastingly comparing oneself with another, with what one is, 
with what one should be, with someone who is more fortunate.
 This comparison really kills. Comparison is degrading, it perverts one's outlook.
 And on comparison one is brought up. All our education is based on it 
and so is our culture. So there is everlasting struggle to be something other than
 what one is. The understanding of what one is uncovers creativeness, 
but comparison breeds competitiveness, ruthlessness, ambition, 
which we think brings about progress. Progress has only led so far 
to more ruthless wars and misery than the world has ever known.
 To bring up children without comparison
 is true education.



~ J. Krishnamurti
with thanks to j krishnamurti online
art by van gogh




see another?








Where there is a duality, as it were, there one sees another; 
there one smells another; there one tastes another; there one speaks to another ...

But where everything has become just one's own self,
 Then whereby and whom would one see? 
Then whereby and whom would one smell? 
Then whereby and to whom would one speak? 
Then whereby and whom would one hear? 
Then whereby and of whom would one think? 
Then whereby and whom would one touch?
 Then whereby and whom would one understand?



~  Brihadaranyaka Upanishad



I am nobody






I am nobody:
A red sinking autumn sun
Took my name away
 
 
 
by Richard Wright
from  Haiku Enlightenment: New Expanded Edition
 by Gabriel Rosenstock
with thanks to Poetry Chaikhana
 
 
 

Saturday, February 8, 2020

attached to the known







Now if you see how it is still the action of thought and is therefore based on fear,
 on imagination, on the past, that is the field of the known.  That is,
 I am attached to the field of the known, with all its varieties, changes,
 its activities, and what I demand is comfort.  Because I have found comfort
 in the past,  I have lived within the field of the known; that is my territory, 
 I know its borders, the frontiers.  

So I ask myself: my life has been the past; I live in the past; I act in the past;
 that is my life.  Listen to this!  My life, living in the past is a dead life. 
 You understand?  My mind, which lives in the past , is a dead mind.  

  I see this as something enormously real.  Therefore the mind, realizing that,
 actually dies to the past; it will use the past, but it has lost its grip;  
the past has lost its values, grip, its, vitality.  So the mind has its own energy,
 which is not derived from the past.  
Therefore living is dying - you understand? 

Therefore living is love, which is dying.  Because if there is no attachment, 
then there is love.  If there is no attachment to the past - the past has its value,
 which can be used, which must be used as knowledge - then my living
 is a constant renewal, is a constant movement in the field of the unknown
 in which there is learning, moving





J. Krishnamurti
from a talk in Saanen, July 27th, 1972
art by Van Gogh



you are sitting in a wagon






You are sitting in a wagon being
drawn by a horse whose
reins you
hold.

There are two inside of you
who can steer.

Though most never hand the reins to Me
so they go from place to place the
best they can, though
rarely happy.

And rarely does their whole body laugh
feeling God's poke
in the
ribs.

If you feel tired, dear,
my shoulder is soft,
I'd be glad to
steer a
while.


~ Kibir
art by Van Gogh